How did the coronavirus influence Zaza Wesseling’s work process? Did the changed working atmosphere yield unexpected positives for her? And how did she ultimately approach the exhibition?
by Foam
Share this article on:
door Manon Albers
door Emily Bates
door Eddy De Clercq © 2020 EDC/Ubuntu Publishing
#03 mixer grinding
door Karen Offerein
door Anouar Ennali
door Laurence Rivest (a.k.a. Lola Romance)